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The events of the series offer more fighting and action struggles against the backdrop of Chinatown in San Francisco following the Civil War. It is a strong civil war that has been seriously embodied in that region. During that period, a young man with a well-known martial arts tradition arrived from China to participate in these conflicts. With more conflicts, this young man found himself stuck in the bloody wars of China Town.
The notion of whiteness as a provisional condition is rarely addressed on American TV, and it's fascinating to see it placed front and center on a show where characters kick each other through walls.
It doesn't even remotely live up to [Lee's] legacy, too often coming off like a dirge when it needs to be as light on its feet as the man who once envisioned it.
..."The Itchy Onion," is powerful series premiere for Warrior. It is new lens and story in the world of the Old West. In one episode I am pulled into the world this series is going ...
There is much to savour in Warrior. The action is overly graphic at times, but the martial arts sequences are memorably scrappy and naturalistic - bones crunch and viscera squishes.
Warrior is a victory in nearly every sense of the word. Not only is it great TV, it also rights a wrong that has lingered over the legacy of cultural icon Bruce Lee for nearly half a century.
Warrior has its charms and much like a Chinese "Peaky Blinders" or "Gangs of New York," it's best when it leans into mankind's reaction to corruption and injustice.