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It's too hard to grasp the stakes of nü Gossip Girl, to understand what the consequence of each Instagram ploy or calamity actually is. It all plays pretty meandering and weightless so far; there's no suspense.
Gossip Girl (2021) has a stellar cast, but the new series fails to capture the magic the original did off the bat when it burst onto the scene in 2007.
The wrinkles conjured under showrunner Joshua Safran, a writer-producer on the original, are filled with miscalculations, while much of the cast feels conspicuously unconvincing as "teens."
Without any interior drama from the characters or exterior commentary about their place in society, "Gossip Girl" 2.0 feels as glossy, buttoned up, and boring as its influencer's Instagram page.
It wants to find a way to do a show that is very clearly about bullying while still having its lead stand on a stage in front of her peers and disavow bullying and apologize for doing it to another girl. And I respect that.
HBO Max's reboot of Gossip Girl is half bland rehash of the soapy beats from the original series and half perplexing but semi-ambitious premise-overhaul that the series isn't prepared to fully engage in.
Gossip Girl burns through more story in the first four episodes than the original did before February sweeps (Google it, kids) - and as a result, too much of that story feels half-baked.
Though it has all the right aesthetic trappings and a young cast chock full of talent, Gossip Girl lacks the fire and the cutthroat mentality of the original that made it such captivating, love-to-hate-it TV.