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Four episodes in, the writers have taken steps to reconnect the key characters, but it's a too-slow update of the software on a concept that came back with a relatively shallow pool of goodwill and critical buzz.
Thankfully, this new Halt is better, exponentially so. Its inversion of decades of prestige-drama gender convention seems painfully obvious, and yet I'm not sure if any other show has actually attempted it.
AMC's bafflingly underrated drama is one of the best programs ever at capturing the human fallibilities that go into into carving your own path in business and life, including blind competitiveness, crippling insecurity and overwhelming doubt.