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No one believes the claims of a young woman (Amber Heard) that a dead patient is stalking the residents of the psychiatric facility. As she struggles to escape, she will uncover a truth far more dangerous and horrifying than anyone could have imagined.
Carpenter has made his approximation of a cheap, twisty, shock-filled modern horror movie, and he has lost all but faint sighs of his minimalist swagger in the process.
The movie's fluidity of motion is intoxicating. It's hard to argue that the so-so material is up to [Carpenter's] highest standards, but it can also be easily forgiven, and even enjoyed.