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  •  Trailer
The movie explores the life and machinations of the troubled movie producer Monroe Stahr (Robert DeNiro), who is hailed as a 'boy genius' during the studio system of 1930s Hollywood.
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Ozus' World Movie Reviews
It's a film that takes Hollywood too seriously and seems to worship with piety at its altar, but was too awkwardly presented to mean much.
December 27, 2007
Cinema em Cena
Interessante na maior parte do tempo, o filme acaba sendo prejudicado pela fraca subtrama romântica e pelo final medíocre (adaptar um livro inacabado pode ser má idéia).
February 05, 2004
Combustible Celluloid
Kazan's rigid directing kills the spontaneity of nearly every cast member.
September 26, 2008
Apollo Guide
Out of place and not quite interesting enough to hold our attention, which is a disappointment, because it has many of the elements that can make for greatness.
August 23, 2004
Chicago Reader
Elia Kazan now admits that he directed this adaptation, his last Hollywood film, for the money. Unfortunately, it looks it.
January 01, 2000
Filmcritic.com
it isn't long before we stop caring
November 12, 2003
TV Guide
Fitzgerald's unfinished novel transfers awkwardly to the screen but is saved from oblivion by that always-fascinating actor De Niro.
April 10, 2007
Variety
Producer Sam Spiegel's contribution is admirable, but Elia Kazan's direction of the Pinter plot seems unfocussed though craftsmanlike. Robert De Niro's performance as the inscrutable boy-wonder of films is mildly intriguing.
April 10, 2007
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