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  •  Trailer
In an attempt to make a lot of money, Reeves, a US diamond merchant, travels to Russia, where he sells the rare blue diamonds, the thing that makes him putting under suspect, and he receives help from Ulrau, a Russian cafe owner with whom he falls in love, but incidents come to climax when they have been caught during the crossfire after failing the deal.
104 min
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Siberia is as flat and featureless as its setting, a wasteland of potential and poor decisions that fails less for the plateaus it aims for than for the heights it doesn't.
July 09, 2018
It can never decide what kind of film it wants to be, drifting into drab formlessness when it needs to find moments of poetry, and reverting to dull clichés when it wants to indulge its thriller instincts...
July 13, 2018
Film Inquiry
Siberia has its moments, especially in the performances of its leads Ana Ularu and Keanu Reeves, but the film is ultimately a confounding mess of genres and tones.
July 10, 2018
Los Angeles Times
While "Siberia" has designs on combining thriller elements with a serious romantic drama about love, commitment and masculine codes of honor, it doesn't work out that way.
July 10, 2018
Film Journal International
Director Matthew Ross does the near-impossible in Siberia: He turns a Keanu Reeves vehicle about sex, diamonds and the Russian mob into a dreary, endless slog.
July 11, 2018
New York Times
[A] leaden thriller.
July 12, 2018
Village Voice
Oh, no.
July 11, 2018
The Film Stage
The scenes between Reeves and Ularu are the film's best and, with its enigmatically appealing stars, Siberia might have worked better as an offbeat love story rather than a thriller.
July 09, 2018
A shapeless viewing event, with Ross fumbling mood and antagonisms as he tries to secure Smith's iffy vision for Russian entanglements.
July 11, 2018
Sometimes you have to wonder if it's the director's actual inability to set up a mood, or if he just doesn't care.
July 13, 2018
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